Debuts October 2026 — Alice
FOR IMMEDIATE RELEASE
Sex Worker’s Memoirs from Turn-of-the-century San Francisco Shine a Light on a Hidden History of Workers’ Rights and Women’s Equality
Edited by Bay Area historians Devon Angus and Ivy Anderson, Alice reflects on the significance and enduring legacy of an extraordinary piece of California history.
BERKELEY, CALIF. — In 1913, readers of the San Francisco Bulletin were transfixed by the serial publication of “A Voice from the Underworld,” the serialized memoir of a sex worker in the city’s Red Light district, the so-called Barbary Coast. Under the pseudonym Alice, these memoirs traced her life from childhood to young adulthood in California, frankly describing the harrowing experiences she had as a sex worker in the Paris of the West. The memoirs elicited an enormous public response; letters poured in from every region of the state, many of which were penned by sex workers themselves. Hundreds of these letters were published alongside the memoir, offering sex workers a public forum in which to share their stories. Highly influential at its time, “A Voice from the Underworld” stands alone as a primary source document for these women’s stories, all too often excluded from mainstream efforts for gender equality and worker’s rights.
In Alice: Memoirs of a Barbary Coast Prostitute, editors Devon Angus and Ivy Anderson have gathered the columns and letters from the pages of the Bulletin together in a single volume, introducing and contextualizing the significance of these accounts to contemporary struggles for sex worker’s rights, historical erasure, and the politics of visibility. Never before available outside of the library, Alice’s voice and story still hold power today. First released by Heyday in 2016, and now republished with a new preface by the editors, Alice is at once a fascinating document from a bygone century and a riveting account of a life on society’s margins.
Media Contact:
Kalie Caetano
Marketing & Publicity Director
For review copies, feature interest, and interview and image requests, get in touch: publicity@heydaybooks.com
Ivy Anderson is a San Francisco based writer by way of Ojai, California. Focused on issues of Bay Area ecology and radical history, her reportage on water management issues has recently been published in Water Efficiency Magazine and her poetry in Poecology. She holds a BA in Environmental Studies with a Minor in Geography, runs a community garden, is on the board of a book store collective in San Francisco, and is currently leading a workshop on historic research through the Yerba Buena Center for the Art’s sponsored Healing Arts Collective Project.
Devon Angus is an artist, activist, and historian based in San Francisco, California. He has composed and performed a conceptual folk operetta based on San Francisco history, “The Ghosts of Barbary”, throughout the Bay Area, Switzerland, and Italy in 2014. He has organized and published a series of oral histories of immigrants in the Catskills region through the Skene Memorial Library in Fleischmanns, New York between 2001-2003 and was the recipient of an arts grant through the New York State Council on the Arts for his show “Songs and Stories of Old New York” in 2002. He is currently pursuing a History MA at San Francisco State University.
Debuts November 2026 — Meeting the Mushrooms of Los Angeles
FOR IMMEDIATE RELEASE
First-of-its-kind Field Guide to LA’s Mushrooms
Reveals Our Own Queer Connections
Exploring the Mycoverse founder Aaron Tupac takes readers on a passionate
and personal trip through the mushrooms of Los Angeles and beyond, in this genderqueer and ecologically entangled new book.
BERKELEY, CALIF. — Ninety percent of the fungal kingdom is undescribed or unknown to science. However, unlike the mysteries of the ocean floor or outer space, fungi live among us: they grow in our parks and communicate across vast brain-like networks that encompass all sorts of creatures, living and dead. When pioneering conservation mycologist and educator Aaron Tupac set out to learn about the mushrooms of the city they call home, they realized that there were virtually no books dedicated to the subject. Far from the rural enclaves usually spotlighted by mushroom guides, Los Angeles boasts a diverse array of fungi—for those who know how to look.
In Meeting the Mushrooms of Los Angeles: Curiosity, Queerness, and How to Love a Fungus, Tupac offers the City of Angels its first comprehensive guide to its fungal neighbors: how to find them and, critically, how to live with them. More than just a hungry forager’s companion, Meeting the Mushrooms of Los Angeles blends practical tips for identification and conservation with an passionate argument that mushrooms have a lot to teach us about queerness, community, and what it means to be alive. Fungi can have many thousands of sexes, reproduce both sexually and asexually, and can often change their biological makeup in order to meet the needs of their environment. Drawing on their own nonbinary identity, Tupac describes a mycelial vision of ecology in the city, placing all living things in an interdependent web: uncategorizable, resilient, and ever-changing.
Featuring original artwork and several new species of mushrooms never before found in guides, Meeting the Mushrooms of Los Angeles profiles over a hundred species of mushrooms, diving into their smell, taste, habitat and more. In Tupac’s guide, readers will learn not only how to meet their fungal neighbors, but why doing so matters, and what we can learn from the vast and mysterious world humming right beneath our feet.
Media Contact:
Kalie Caetano
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For review copies, feature interest, and interview and image requests, get in touch: publicity@heydaybooks.com

Aaron Tupac (they/them) is a fungal conservation researcher, educator, community organizer, and speaker based in Los Angeles. Aaron is the founder and organizer of the fungi-focused community education group Exploring the Mycoverse at Arlington Garden. Aaron works for the Fungal Diversity Survey, the only nonprofit focused on North America’s fungal biodiversity and conservation. They serve as a fungi collector for the California Fungal Diversity Survey Project, the first government-funded state-wide project of its kind. They are also the founder and serve as the chair of the North American Mycological Association’s Conservation and Stewardship Committee. As a lover of the more-than-human world, they are fascinated with how fungi can teach us about mindfulness, interconnection, and relationships.
Debuts October 2026 — California Inside Out
FOR IMMEDIATE RELEASE
Obi Kaufmann Explores a New Environmental Ethic in
California Inside Out: Mapping an Ecology of Mind
California Inside Out: Mapping an Ecology of Mind
In a provocative new work blending manifesto, philosophy, and ecological inquiry, the bestselling California Field Atlas series creator challenges readers to reimagine humanity’s relationship with the living world.
BERKELEY, CALIF. — This fall, award-winning creator of the California Field Atlas series, Obi Kaufmann, publishes his most probing and philosophical book to date: California Inside Out: Mapping an Ecology of Mind (on-sale: October 6, 2026). With this compact, pocket-sized volume, the San Francisco Chronicle and Los Angeles Times bestselling author recenters radical kinship with the more-than-human world, advancing an environmental worldview rooted in the recognition of nature’s agency and humanity’s inseparable relationship to place.
Part manifesto, part lyrical meditation, California Inside Out interrogates the stories that estrange people from the living systems that surround them and searches for new language capable of restoring that connection. Kaufmann challenges the assumptions that promote extractive thinking and sets out to tell another story; one aimed at helping Californians leave the state at the close of the 21st century healthier, more resilient, and more ecologically whole than it was at the century’s start.
Deriving inspiration from Traditional Ecological Knowledge, the lessons of deep time, and the blueprints of renowned naturalists including Aldo Leopold, Gary Snyder, and Robin Wall Kimmerer, Kaufmann sketches the contours of an emergent conservation ethic for the 22nd century. Rejecting the inherited “man versus nature” model, he proposes creative frameworks for realizing equity and mutuality between humans and the wider living world.
Kaufmann’s approach is deeply Socratic, inviting readers to consider provocative questions: What if wildfire were revered rather than reviled? What if humans respected the creative capacity of other species? What if watersheds have volition and rivers were accorded legal rights? At the heart of California Inside Out is a quest to find the new premises—or long-forgotten verities—that may reveal enough intrinsic value in nonhuman entities to inspire people to retrieve their responsibility as stewards of the systems upon which all life depends.
For the notion that wilderness exists separate from human development is ahistorical, Kaufmann reminds us. “The structural makeup of habitat spaces is largely the product of a consistent, multimillennia-long project of human stewardship,” he observes, invoking Indigenous traditions and technologies that have shaped the American West for thousands of years. Everything from faunal biogeography to soil fecundity has been shaped by human hands, human history, and increasingly, human policy: “California’s landscape is an ecological artifact of human activity.”
With California Inside Out, Kaufmann challenges readers to consider what kind of landscape will emerge from continuing along with a now centuries-long protocol of human activity that is driven primarily by extraction and capital utility—and appeals to the reader to ensure that another story, a better story, prevails.
Media Contact:
Kalie Caetano
Marketing & Publicity Director
For review copies, feature interest, and interview and image requests, get in touch: publicity@heydaybooks.com
Praise for Obi Kaufmann
“Obi Kaufmann’s books are like bibles to me. They explain California’s natural beauty better than anything I’ve read before.” —DAVE EGGERS
“A full immersion into the astonishingly varied natural worlds. Gorgeous.” —CBS SAN FRANCISCO
“Kaufmann’s writing and illustrations comprise a deeply researched philosophical exploration focused not just on the current moment but on refashioning understanding and California’s ecosystems to support thriving generations to come.” —HIGH COUNTRY NEWS
“Swirls research with poetry, the personal and human with the collective and ecological.” —MOTHER JONES
“Obi leaves no leaf unturned in his quest to capture the wonder and fragility.” —SUNSET
“A call to action … full of beautiful watercolor renderings of both landscape and data.” —LOS ANGELES TIMES
“Kaufmann’s gaze easily ranges from the micro to the macro. As a reader you are invited to join him on a journey of discovery—not as a passenger but as an active partner.”—SAN FRANCISCO CHRONICLE
“Surprising in its depth and complexity. And as captured by a diligent and experienced observer, unbelievably beautiful as well.” —THE PRESS DEMOCRAT
“An original contribution to the genre … Immersive.” —LOS ANGELES REVIEW OF BOOKS
“Put together in an accessible, visual way, Kaufmann’s approach helps to encourage a love of place, which is often the first step toward wanting to protect and preserve it.” —AMERICAN SCIENTIST
“Kaufmann’s knowledge of and respect for these myriad forms of life cannot help but spark one’s own spirit of inquiry and adventure.” —RED CANARY
“Kaufmann is brilliant, articulate and engaging, providing hope for the state’s future.” —TAHOE LITERARY GUIDE
“An expansive and accessible exploration of the biodiversity that defines California in the global imagination.”—7×7
“Thoughtfully written and gorgeously illustrated. A reason for hope. A reason for awe.” —THE DESERT SUN
“Kaufmann’s expressive writing is matched by his creativity as an artist.” —SAN FRANCISCO EXAMINER
“A revelation. Kaufmann educates and delights the reader simultaneously.” —ENTROPY
“Masterful … Every page is a treasure trove of information and beauty.” —SAN FRANCISCO BOOK REVIEW
“Breathtaking.” —BERKELEYSIDE
“Transcend[s] the genre of nature writing.” —MONTEREY COUNTY WEEKLY
“Obi wants to inspire us to be optimistic, not fatalistic about the world we find ourselves in. Stories of recovery are all around us if we open our eyes. He believes we can, indeed, reverse course and save what we have inherited.” —ECONEWS
“The author meditates on how California can survive—and thrive—beyond the current climate crisis.” —DIABLO MAGAZINE
Art from California Inside Out by Obi Kaufmann (c)

Obi Kaufmann is the author of The California Field Atlas (#1 San Francisco Chronicle Bestseller), The State of Water, The Forests of California, The Coasts of California (San Francisco Chronicle Bestseller), The Deserts of California (San Francisco Chronicle Bestseller), and The State of Fire (Los Angeles Times Bestseller). When he is not backpacking, you can find the painter-poet at home in the East Bay, posting trail paintings at his handle @coyotethunder on Instagram. His speaking tour dates are available at californiafieldatlas.com, and his essays are posted at coyoteandthunder.com.
Debuts September 2026 — Soul City
FOR IMMEDIATE RELEASE
Soul City: Oakland, U.S.A. Depicts Life in the Black Community of 1970s West Oakland
Documentary photographer Ken Light spotlights the everyday resilience, persistence, and joy of West Oakland’s Black community in a new photo book with a foreword by Ishmael Reed.
BERKELEY, CALIF. — A powerful visual record of community, culture, and resilience, Soul City: Oakland, USA by photographer Ken Light brings the vibrant Black community of 1970s West Oakland into vivid focus. Featuring more than 120 stirring black-and-white photographs, this book offers a rare and intimate portrait of Black urban life in a major American city—one long celebrated alongside San Francisco’s Fillmore District as a “Harlem of the West.” The book will be published on September 22, 2026.
During the 1940s the Second Great Migration brought thousands of African Americans to Oakland as they sought jobs in the West Coast’s booming wartime industries and fled Jim Crow segregation of the American South. Hemmed in by housing discrimination and redlining, Black migrants largely settled in “the Bottoms,” better known today as West Oakland. In spite of barriers, this migration transformed Oakland into a thriving center of Black culture where a flourishing Black middle class of unionized industrial workers and business owners, as well as a dynamic blues scene, anchored by hubs like Esther’s Orbit Room, helped define the city’s cultural identity.
By the 1950s and 1960s, however, that prosperity faced mounting challenges. Manufacturing jobs disappeared, and urban renewal projects—including the construction of BART and the I-980 Freeway—cut through and around West Oakland, physically isolating neighborhoods and contributing to pollution and economic decline. These systemic deprivations, along with persistent police brutality, fueled political activism and gave rise to the Black Panther Party, founded in Oakland in 1966.
It was around this period of change that then 23-year-old photographer Ken Light began documenting the people of West Oakland. While working part-time doing layout and paste-up at The Oakland Post, a local Black newspaper, Light started photographing neighborhood residents whose lives expressed a powerful sense of identity, heritage, pride, and resilience. Light quickly became a familiar figure in the community—known simply as “the Cameraman.” Residents would wave him down in the street to have their photographs taken. Over the course of two years, from 1974 to 1976, he created an extraordinary visual portrait of daily life in West Oakland, capturing moments both somber and celebratory.
In the foreword to this edition, writer Ishmael Reed reflects on the historical significance of Light’s work: “Like Berkeley, Oakland is becoming a white city. But just as we gaze at photos of other historic Black zones that have been razed, Ken Light’s photos will remind future generations that there was a time when Blacks lived among deteriorating Victorians, and no matter how miserable the environment, they had pride and they had friends, made love, had jobs, ran businesses, and made much from little, which has been the strategy of Blacks since the slave ships landed.”
Soul City: Oakland, USA stands as both an artistic achievement and an essential historical document—capturing a community whose spirit, creativity, and resilience shaped Oakland’s identity.
Media Contact:
Kalie Caetano
Marketing & Publicity Director
For review copies, feature interest, and interview and image requests, get in touch: publicity@heydaybooks.com

Ken Light has worked as a documentary photographer and filmmaker for over fifty years, focusing on social issues facing America. His books include Course of the Empire, What’s Going On? 1969–1974, Valley of Shadows and Dreams, Witness in Our Time, and Picturing Resistance. His work has been presented in over 250 exhibitions worldwide, and he is the recipient of a Guggenheim Fellowship, two National Endowment for the Arts photographers’ fellowships, a National Endowment for the Arts survey grant, and the Dorothea Lange Fellowship. Light is the Reva and David Logan Professor of Photojournalism at the UC Berkeley Graduate School of Journalism. He is represented by Contact Press Images, NYC. Visit his website at kenlight.com.
Ishmael Reed is the author of numerous books including Mumbo Jumbo, Yellow Back Radio Broke-Down, and Blues City: A Walk in Oakland. The recipient of a MacArthur Fellowship and a Guggenheim Fellowship, he has lived in Oakland since 1979.
Debuts August 2026 — A State of Change
FOR IMMEDIATE RELEASE
A magnificently illustrated classic of California natural history, now updated in a long-awaited reissue
Laura Cunningham’s canonical magnum opus A State of Change returns by popular demand in an updated new edition in a fully re-styled package.
BERKELEY, CALIF. — Originally published in 2010, A State of Change: California’s Forgotten Landscapes by Laura Cunningham is widely considered a classic text of California natural history. Returning to print in a fully restyled package in fall 2026, this updated edition includes expanded content, Cunningham’s original oil paintings and field sketches, and a contemporary design that offers readers a firsthand look at pre-colonial California and the immense biodiversity that once reigned.
Melding science, Traditional Ecological Knowledge, stunning landscapes and species portraiture, artist-naturalist Cunningham takes a multi-field perspective to reenvision the West as it once was, before centuries of settlement reshaped the land and its native wildlife. Compiled over decades, A State of Change (on sale October 13, 2026) draws from fieldwork spanning the state and beyond, Indigenous oral histories and interviews with tribal elders, scientific research in biology and paleontology, and years of artistic study. This deep time exploration of Old California throws into stark relief the engineered landscapes we know today and the diminution of biodiversity already millennia in the making
“This book is my life’s work trying to understand California in the past so that we can protect and help restore the natural and cultural landscapes of this precious state into the future,” says Cunningham, whose acclaimed original publication garnered a California Book Award, a Northern California Book Award, was declared a Best Book of the Year by East Bay Express, and a finalist for Foreword’s Book of the Year.
Cunningham’s original publication predicted the explosive development of megafires in California and reacquainted readers with species long since absent from the landscape—from the extinct flightless marine diving goose to the Golden State’s banner grizzly, last seen a century ago. The 2026 edition of A State of Change reflects watershed ecological developments since the book’s original publication. These include the comebacks of California wolves and condors, the resurgence of salmon populations under tribal stewardship, and the gradual reimplementation of Indigenous fire management. Cunningham also challenges popular ideas about regenerative agriculture and livestock grazing, pointing toward pathways to restore native grasslands that underpin the state’s ecosystems.
Learning about the plight of species in the past has kindled Cunningham’s lifelong passion for saving species for the future—and with this galvanizing and visually immersive text she aims to alight a kindred spark in the reader.
“This wonderful book is a vivid reminder of how things began, and also as a vision of the rich and beautiful world we can work toward in our shared future,” says author Kim Stanley Robinson, “One of Heyday’s best.”
Media Contact:
Kalie Caetano
Marketing & Publicity Director
For review copies, feature interest, and interview and image requests, get in touch: publicity@heydaybooks.com
Advance Praise for A State of Change
“Beautiful and enlightening . . . a California classic.” —SAN FRANCISCO CHRONICLE
“This wonderful book is a vivid reminder of how things began, and also as a vision of the rich and beautiful world we can work toward in our shared future. One of Heyday’s best.” —KIM STANLEY ROBINSON, author of The Ministry for the Future and The High Sierra: A Love Story
“A gorgeous book with much broader implications than for one state, for one country: Cunningham reminds us how we define our landscapes—and how they define us.” —KERRI ARSENAULT, author of Mill Town
“This brings a lost world straight back to life—and one hopes it will help us work to restore it in the real world.” —BILL MCKIBBEN, author of Here Comes the Sun
“Thanks to Laura Cunningham’s brilliant interweaving of science and art, I can now imagine what California looked like before colonization. Her vision not only informs how we understand the past, but also what a better future could look like.” —LIAM O’DONOGHUE, host of East Bay Yesterday
“Hundreds of Cunningham’s detailed, realistic paintings fill this huge coffee-table delight, whose text traces the evolution of a diverse region, once home to half-striped ancient horses and Pleistocene-era cheetahs.” —EAST BAY EXPRESS
“Skillful, evocative, and often stunning.” —SFGATE
“This book is a time machine that takes me on a journey into a land that I thought I knew. As an artist, naturalist, and armchair time traveler, I appreciate this kind of depth and genius.” —JOHN MUIR LAWS, author of The Laws Guide to Nature Drawing and Journaling
“I wouldn’t be the artist-author I am today without A State of Change. I consider Cunningham’s work to be an original inspiration for all that I do.” —OBI KAUFMANN, author of The California Field Atlas and California Inside Out
“Laura Cunningham’s imaginative tour de force provides a time machine where pre-settlement California can be savored in all her splendor and magnificence. A remarkable vision.” —GRAHAM CHISHOLM, Former Executive Director, Audubon California
“An indispensable guide for anyone seeking to understand the ecological story of the Golden State.” —JOSH JACKSON, author of The Enduring Wild
“A tantalizing, informative, inspiring glimpse into something we all try to imagine: California before all of this.” —ROBIN M. GROSSINGER, San Francisco Estuary Institute
“A natural history masterpiece.” —SANTA BARBARA INDEPENDENT
Art from A State of Change by Laura Cunningham (c)

Laura Cunningham is an artist-naturalist who studied paleontology and biology at the University of California, Berkeley. She has worked field biology jobs for the California Department of Fish and Game, the United States Geological Survey, and various universities, gaining experience with such species as Owens Valley pupfish, salmon and steelhead trout, Yosemite toads, Panamint alligator lizards, and tule elk. Simultaneously, she taught herself the arts of sketching and oil painting and pursued studies of California’s historical ecology. She currently works in the conservation nonprofit field. Her studio is next to Death Valley National Park along the Amargosa River.
Debuts August 2026 — Behind the Desk at the Main
FOR IMMEDIATE RELEASE
New Memoir Pulls Back the Curtain on America’s Libraries and the People Who Keep Them Running
Dorothy Lazard’s Behind the Desk at the Main explores the vital role libraries play in sustaining communities amid rising challenges
BERKELEY, CALIF. — In 2023, American libraries served more than 150 million registered users nationwide, drawing millions of visitors each day seeking books, cultural programming, and essential community resources. Yet even as libraries remain among the most trusted and widely used public institutions in the United States, they face mounting pressures—from political censorship to shrinking municipal support.
In her new book, Behind the Desk at the Main: A Librarian’s Memoir, releasing August 18, 2026, celebrated Oakland librarian and public historian Dorothy Lazard offers an insider’s look at the modern American library. Through personal stories and decades of experience, Lazard demystifies the work of librarians and reveals how libraries serve as vital hubs—and defenders—for knowledge, connection, and civic life.
“From the very start of my time at the Main Library, I realized that while most people will claim love for the library, few understand what goes on behind the scenes: the variety of services the library offers, what jobs librarians perform, and most importantly, how central a role the library plays in creating the public commons,” says Lazard.
Over the course of Lazard’s 20-year-tenure at the Oakland Public Library’s flagship branch—known as “the Main”—she built a career helping residents connect with the city’s past and present, eventually becoming the keeper of Oakland’s local history archives. Serving people from every walk of life, she gained a unique vantage point on the concerns and health of her city—helping patrons complete homework and dissertations, trace family histories, research neighborhoods, and explore cultures from around the world.
But the book also highlights the growing challenges libraries face today. As one of the last truly democratic and free municipal services, the public library has become a battleground in cultural and political debates. Efforts to restrict access to books—particularly works by and about people of color and the LGBTQ+ community—have placed librarians on the front lines of the fight for intellectual freedom.
As economic crises, political polarization, and social divides place strain on public institutions, Lazard argues that libraries remain among the most powerful symbols of democratic ideals—spaces dedicated to curiosity, imagination, memory, and shared civic life. Both a celebration of librarianship and a call to defend public institutions, Behind the Desk at the Main offers readers an intimate portrait of the people who keep libraries running—and how these cherished institutions become the lifeblood of the communities they serve.
Media Contact:
Kalie Caetano
Marketing & Publicity Director
For review copies, feature interest, and interview and image requests, get in touch: publicity@heydaybooks.com
Advance Praise for Behind the Desk at the Main
“A compelling case for the crucial importance of the public library. As a Black librarian in a profession that is overwhelmingly white, Lazard feels a special responsibility to support the needs of her community, and to serve as a model and mentor.” —Kirkus
“This wonderful book appeals to the heart as well as to the mind, challenging the dark times we live in. It shows how libraries as democratic spaces offer us an alternative way of perceiving the world, relating to the world, and changing the world.” —Azar Nafisi, author of Read Dangerously and Reading Lolita in Tehran
“A microhistory of a great organ of civic life, told from the inside. Dorothy Lazard’s anatomy of the library is like hearing someone standing in the heart of Oakland telling you how this city beats, totally unfazed by how fantastic and fabulous that pumping is. As she describes it, labels it, she helps you see the world anew, like all librarians do.” —John Freeman, author of California Rewritten
“Filled with insights gained from her years at the reference desk, Dorothy Lazard’s book is crucial reading for anyone who wants to understand modern libraries—and why they must be protected at all costs.” —Liam O’Donoghue, host of East Bay Yesterday

Dorothy Lazard was born in St. Louis and grew up in San Francisco and Oakland. A librarian for nearly forty years, she joined the staff of the Oakland Public Library in 2000. From 2009 until her retirement in 2021, she was the head librarian of OPL’s Oakland History Center, where she encouraged people of all ages and backgrounds to explore local history. Lazard was the 2023 recipient of the Oscar Lewis Award in Western History from the Book Club of California. Her first book, What You Don’t Know Will Make a Whole New World: A Memoir, was published by Heyday in 2023; the book was shortlisted for a Northern California Book Award and a Foreword Indies Award. Lazard lives in Oakland.
Debuts September 2026 — Morning in Marin
FOR IMMEDIATE RELEASE
Immersive Narrative History Reveals Marin County’s Outsized Influence in the American Cultural Imagination
Morning in Marin by David Perlis dives into the culture-makers, from the Grateful Dead to George Lucas, who transformed the arts with a distinctive Marin-rooted sensibility.
BERKELEY, CALIF. — Just north of San Francisco, across the Golden Gate Bridge, lies Marin County—a landscape of redwood forests and misted hills that, between World War II and the 1980s, became the unlikely epicenter of a cultural awakening. From blockbuster cinema to psychedelic rock, Eastern spirituality to speculative fiction, Marin helped forge a new American mythology.
In Morning in Marin: Zen, Drugs, and Ewoks on the California Coast (on sale September 1, 2026), David Perlis delivers the first comprehensive narrative history of this awakening—what he calls the “Marinaissance.” The movement gave rise to Star Wars, nurtured the improvisational ethos of the Grateful Dead, and seeded a creative revolution that reverberated across music, religion, literature, film, and philosophy.
Marin was not only home to cultural juggernauts such as George Lucas, Alan Watts, Janis Joplin, Robin Williams, Gary Snyder, and Philip K. Dick—it profoundly shaped their work. As Perlis writes, “The Marinaissance is multitudes,” manifesting everywhere from the Jedi’s belief in the power of the self to Shel Silverstein’s anti-authoritarian children’s verse. Marin was a nexus of East-meets-West spirituality and a proving ground for sounds and stories that would dominate global culture.
Drawing from deep archival research and dozens of firsthand interviews—including voices like Anne Lamott and Peter Coyote—Perlis reconstructs an era of radical experimentation. From mud-sunk Sausalito houseboats to back-to-the-land communes, Morning in Marin traces how a loose network of freethinkers—united by Zen practice, psychedelic exploration, reverence for nature, self-sufficiency, and a belief in human potential—sparked an “inner revolution” that ultimately reshaped global entertainment and spiritual life.
But Perlis also charts the contradictions. He examines the unique conditions that allowed the Marinaissance to flourish—producing some of the most valuable intellectual property and devoted fan cultures in modern history—while identifying the social, economic, and ideological forces that led to its fragmentation.
The result is a sweeping, immersive cultural history: a rollicking constellation of Zen teachers, Beat poets, mystic feminists, psychedelic rockers, New Age visionaries, and New Hollywood power brokers whose iconoclasm broke—and then remade—the mold of American culture.
Morning in Marin is both a portrait of a place and a story of how local experimentation became a global empire—how a quiet county north of the Golden Gate helped script the American imagination.
Media Contact:
Kalie Caetano
Marketing & Publicity Director
For review copies, feature interest, and interview and image requests, get in touch: publicity@heydaybooks.com
Advance Praise for Morning in Marin
“Those of us who grew up in Marin always knew it was a special place. Just how special, and why, is brilliantly articulated in Perlis’s exhaustively researched book. Settled by artists and European influences after WWII, Marin became home to many of the important artists, writers, musicians, comedians, and entertainers of the last seventy-five years. Art for Art’s sake indeed.” —Huey Lewis
“This is a wonderful history of Northern California and its artists. Dave Perlis must have been everywhere. He knew everyone and recorded them perfectly. He knew their antecedents and their antecedents. He captured their stories. If I could have written it I would have. But I couldn’t. Dave Perlis could and did.” —Peter Coyote
“David Perlis has recaptured the times in a way that allows us to remember. For the younger generation of artists and seekers who are searching for such fertile ground and community, this journey back is a documentary of the remarkable, a tender ode to the magic.” —Daria Halprin
“An enchanted fog’s-eye view of the hyperreality on the far side of the Waldo Tunnel and how it rippled out to the rest of us. Both dreamy and meticulous.” —Jesse Jarnow, author of Heads: A Biography of Psychedelic America, cohost of The Good Ol’ Grateful Deadcast

David Perlis is a writer, musician, and filmmaker from Marin County, California. For nearly a decade he co-hosted the late night talk show Night People on WFMU. He has worked for the New York Public Library and the American Museum of Natural History. He now lives in Corrales, New Mexico. Morning in Marin is his first book.
Debuts June 2, 2026 — Alice Piper Speaks Up
FOR IMMEDIATE RELEASE
New Book for Young Readers Chronicles The Pathbreaking Native American Student Who Desegregated California Schools
This first-ever book about Alice Piper’s fight for justice follows her journey to end segregation in California public schools in a landmark case that set the stage for school desegregation nationwide.
BERKELEY, CALIF. — In 1924, Alice Piper made history when she fought for—and won—the rights of Native American students, like herself, to attend public schools in California, striking a forceful blow to school segregation nationwide in the process. Alice Piper Speaks Up (on sale June 2, 2026) is the first book ever to be written about this undersung champion of civil rights, and it is the third installment in Heyday’s award-winning Fighting for Justice series for middle grade readers (8–12).
Centering the story of a determined teenager of the Nuwuvi people (of the Owens Valley Paiute) in her plight to end education discrimination against American Indians, this book shares an important story that is indispensable in understanding the history of equal education in the United States. Following the true story of Piper’s journey for admission to public school in Big Pine, California, this text explores themes of settler colonialism, Indigenous history, Indian boarding and day schools, racism as a barrier to education, and social justice for children.
The story follows Piper from her failed bid to enroll in public school to the legal case she carried forward to end segregation of Native American students throughout the state. As with other entries in the Fighting for Justice series (Fred Korematsu Speaks Up and Biddy Mason Speaks Up), this is a visually rich, multimodal text. Piper’s personal story is relayed through lyrical verse and full color illustrations, with historical context and timelines, primary sources and keyword definitions—ally, assimilate, solidarity, segregate—interwoven throughout. Questions to guide young readers’ understanding of Piper’s story and help relate her experiences to their own lives bookmark each chapter, and additional activity pages are available for download to support educators teaching from the text.
Alice Piper Speaks Up fills a conspicuous gap in public education about this Native-led stand for school integration, a landmark victory that would serve as key precedent for other desegregation cases, including the Brown v. Board ruling that ended racial segregation in US schools nationwide. Piper’s contributions to American civil rights remain woefully under-recognized, yet the visibility of her legacy grows.
Today a life-size statue of Piper sits at the entrance of Big Pine High School, where in 2024 the town celebrated her life and the 100th anniversary of the end of Native American school segregation. In 2024, she was inducted into the California Hall of Fame, and the state legislature passed a resolution to mark June 2—the date of the state court decision—as Alice Piper Day in recognition of “the historic legacy of Alice Piper’s resolve and dedication.” This book will publish in tandem with this commemorative date in 2026.
As the third volume in the Fighting for Justice Series Alice Piper Speaks Up rounds out a highly decorated series of juvenile justice books celebrating key civil rights leaders of US history. Books in the series have received multiple starred reviews from Kirkus and School Library Journal, enthusiastic acclaim from the New York Historical Society, the Jane Addams Children’s Book Awards, the Los Angeles Public Library, and the National Council for Social Studies (among others), and have been widely utilized in US classrooms and districtwide curricula.


Media Contact:
Kalie Caetano
Marketing and Publicity Director
For review copies, feature interest, and interview and image requests, get in touch: publicity@heydaybooks.com
Advance Praise for Alice Piper Speaks Up
“Alice Piper Speaks Up is an important story that should be readily adopted and used in classrooms.”
—William J. Bauer Jr., coauthor of We Are the Land: A History of Native California
“A necessary, accessible, and fascinating book that shines bright light on a history and a people that all who call California—and America!—home should know.”
—Kate Schatz, New York Times-bestselling author of Rad American Women A–Z
About the Creators of Alice Piper Speaks Up

Sage Andrew Romero is from the Tovowahamatu Numu (Big Pine Paiute) and Tuah-Tahi (Taos Pueblo) tribes. The founder and director of the AkaMya Culture Group, a nonprofit dedicated to cultural revitalization, he lives in Big Pine, California.
Photo credit: Erin Baiano

Loralee Sepsey is a writer and a member of the Big Pine Paiute Tribe of the Owens Valley. Based in Santa Ana, California, she lives with her husband and their two cats.
Photo credit: Courtney Crutcher

Morgan Thompson is a Cherokee (Cherokee Nation) artist with a love for Indigenous stories. When she’s not working, she enjoys a bit of stomp dancing or some beading on the side.
Photo credit: Kristine Thompson
Praise for the Fighting for Justice Series
Fred Korematsu Speaks Up
Fighting for Justice Volume 1
Winner, Carter G. Woodson Book Award • Winner, New-York Historical Society Children’s Book Prize • Winner, Social Justice Literature Award • Honor Title, Jane Addams Children’s Book Award • Finalist, 2017 Cybils Awards • Nominee, Georgia Children’s Book Award • Nominee, Rebecca Caudill Young Readers’ Book Award • Nominee, South Carolina Junior Book Award • A Kirkus Best Book of the Year • An Association of Children’s Librarians of Northern California Outstanding Title
“An invaluable profile of a civil rights hero whose story deserves greater attention. Middle schoolers will take to the superb writing and original format.” —School Library Journal, starred review
“Atkins and Yogi raise good questions … that will inspire a new generation of activists. This first book in the Fighting for Justice series is a must-read for all civics classrooms.” —Kirkus, starred review
“The relevance of the themes in Fred Korematsu Speaks Up in today’s world is unmistakable … This book gives young readers, their parents, and their teachers a suitable way to create a meaningful discussion of these important public policies that affect us all.” —Los Angeles Review of Books
“This timely history … describes the case and much more, serving admirably as a tutorial on civil rights, an introductory civics lesson, and a clarion call to action.” —San Francisco Chronicle
“Its appeal and user-friendly presentation are undeniable. … Honors the legacy of an oft-forgotten champion of human rights in America.” —Booklist
“This story should be in every classroom.” —Rethinking Schools
Biddy Mason Speaks Up
Fighting for Justice Volume 2
Winner of the Nautilus Book Award • Winner of the 2021 FOCAL Award • Silver Award Winner, 2020 Independent Publisher Book Awards • Winner of the Book Award for Young People’s Literature, 2020 Maine Literary Awards • A Great Kid Books Best New Book
“Difficult but necessary, inclusive and respectful, this book does a beautiful job of telling truths about our history and how we construct it.” —Kirkus, starred review
“A first purchase for biography, history, and general nonfiction collections alike.” —School Library Journal, starred review
“Wonderful.” —Los Angeles Review of Books
“Moving and enlightening.” —Public Books
“★★★★★” —Readers’ Favorite
“This is as impressive a project as you will ever see to potentize history.” —Foreword Reviews
“A work that possesses undertones of inspiration that finally bloom into empowerment and freedom, Biddy Mason Speaks Up is a great read for all ages.” —Duende Literary
“A shining achievement.” —Multiculturalism Rocks!
“Combines moving poetry with informational sections in each chapter along with a full-page illustration of a key scene in that chapter. . . . Biddy Mason’s [story] is one with roots in California and significance everywhere.” —The Pirate Tree
“Highly recommended.” —Midwest Book Review
Debuts May 2026 — Compassion in Crisis
FOR IMMEDIATE RELEASE
Co-editors of Loam Center Carework and Mutual Aid in this Practical Guide to Navigating Our Changing Climate
In Compassion in Crisis, Kate Rose Weiner and Kailea Rose Loften draw on the experiences of organizers and first responders to offer a one-of-a-kind resource for tending to our communities, bodies, and spirits when disaster strikes.
BERKELEY, CALIF. — Crisis looms large in daily life. From failing public health infrastructure to resource shortages, endless wars, and melting ice caps the crisis in education is inseparable from the crisis in loneliness, spurred on by the interests and fantasies of a small group of wealthy individuals, for whose sake whole swaths of our planet burn. The name for this compounding disaster is polycrisis.
Confronted with this situation, Kate Rose Weiner and Kailea Rose Loften began collaborating on what would become Compassion in Crisis: Building Disaster-Resilient Communities, a book that presents a strategy for catastrophe guided by values of curiosity and communal care. Knowing this is work with long-growing roots, Weiner and Loften gather a choir of organizers, educators, and healers from across North America to speak to their experiences responding to disaster. Compassion in Crisis is a book of energizing dialogues and clear-eyed checklists for everything from water purification to somatic practices. Readers will learn how to prepare baby formula in an emergency, how to best use stinging nettle or chamomile flowers for first-aid, alongside tips for paying attention to the different responses of our nervous systems to stress.
For many, the word “prepper” conjures images of underground bunkers and rural compounds; it’s an endeavor of individuals. The kind of preparedness such ideologies offer focuses on the survival of one, cut off from (or outright against) their neighbors. Compassion in Crisis affirms that true preparedness is the practice of honoring change, learning to steady ourselves and what we love in the face of it, and remembering that the world we want only follows from acting as if we live there already.
Media Contact:
Kalie Caetano
Marketing & Publicity Director
For review copies, feature interest, and interview and image requests, get in touch: publicity@heydaybooks.com
Advance Praise for Compassion in Crisis
“As we enter an era of climate shifts and more frequent, layered catastrophes, this is the book you want beside you to navigate the realities of disaster and recovery. Drawing from survivors, practitioners, and thinkers, this book offers a guide to cultivating the kind of attentiveness and care that might help us think about preparedness wholistically, from philosophical ideas about how our experiences of time shift to practical and profound advice that can move the needle towards justice in the aftermath of grief and loss. Weiner, Loften, and their contributors help us consider what it takes to move through change and the kinds of transformation that are inevitable in the wake and shadows of disasters, acknowledging that systems and institutions can and do fail us, and showing where and how communities can be created, revitalized, and mobilized to step in and step up for each other.”
—Candis Callison, Member, Tāłtān Nation, and author, How Climate Change Comes to Matter: The Communal Life of Facts


Kate Rose Weiner is a writer, editor, and publisher working at the intersections of culture and climate justice. She is the coeditor of community publisher Loam and the director of Loam Library, a mobile library committed to bringing the power of print to the people. Kate’s work is shaped by her studies in environmental art, social practice, and community herbalism.
Kailea Rose Loften is a mother of Tahltan, Kaska, and Black American ancestry. She is the coeditor for the community publisher Loam and has guided climate change policy with an emphasis on Indigenous rights, previously serving as a Climate Commissioner for the City of Petaluma, California. You can contact her through kailealoften.com.
Debuts June 2026 — I Love You So Many
FOR IMMEDIATE RELEASE
Native Travel Memoir Lights the Way to Making Kin and Building Community Around the Globe
From celebrated California Indian journalist Terria Smith, a debut memoir that explores the personal intersections of travel and Indigeneity in Cuba, Guyana, and beyond.
BERKELEY, CALIF. — The genre of travel writing has, for too long, been the domain of settlers: so-called “explorers” whose journeys and way of being in the world have seeped into the foundation of everyday life on the move, from militarized borders to the names of mountains, rivers, and deserts. But travel is a lot older than settler colonialism. In many ways, the urge to travel—to meet new people, share stories and experiences, and be in relationship with parts of the world previously unknown to you—can be a lived and fully embodied practice of resistance.
In her debut memoir, I Love You So Many: A Native Memoir of Adventure, Culture, and Family, Terria Smith traces her journey from the Torres Martinez Desert Cahuilla Reservation to journalism school, and her decision to travel the United States to tell about the lives of Native people from one coast to another. As her hunger for travel grew, so did her understanding of community, and what it means to be a world citizen. In warm and thrilling prose, Terria takes readers with her on trips across the Americas, spending time in Cuba, Iceland, and Guyana as she falls in and out of love and develops lifelong bonds with the people she meets.
The phrase “I Love You So Many” comes from a phrase used by Terria’s Spanish-speaking relatives: what would be considered by some to be an error of translation is refigured here as an opening to celebrate the many-ness of our loves, populated with people, animals, islands, and life. I Love You So Many is a book that challenges a certain way of thinking about travel, and invites readers into Terria’s infectious enthusiasm for stepping outside and seeing what you can give the world and the amazing experiences it can give back to you.
Media Contacts:
Bradley Trumpfheller
Marketing & Membership Associate, Heyday
For review copies, feature interest, and interview and image requests, get in touch: publicity@heydaybooks.com
Praise for I Love You So Many
“I Love You So Many is an Indigenous memoir that chronicles Terria Smith’s journey of self-discovery and acceptance through global travel, relationality, and family history. Moving from Alaska to Cuba, Iceland, Guyana, and beyond, Smith explores themes of Indigenous identity, resilience, and love while navigating personal challenges like divorce, migration, and loss. Embedded in a beautifully chronicled travelogue of her unfolding life—her unflinching truths become touchstones, illuminated and validated with each stamp on her passport. Joining the ranks of Deborah Miranda’s Bad Indians and Therese Marie Mailhot’s Heart Berries, this memoir celebrates healing, empowerment, and the enduring strength of Indigenous mobility in an accessible and interconnected world.”
—Theresa Gregor, Professor of American Indian Studies, California State University-Long Beach
“Terria Smith has gifted us something we don’t see so much of: a Native travel narrative that is more than just the fish-out-of-water, “Indian leaves the rez and is overwhelmed” trope. I can almost hear the gasps of readers marveling at the idea that Indians travel at all! Smith is a wonderful guide in showing that we absolutely do, and that our experiences at home provide us insights beyond what most American travelers may bring with them when they go abroad. At the core of this quarter-century unfolding is Smith’s personal origin story as a mighty, independent Indigenous woman with a deep love for her traditional land finding her power in a broader, borderless world; in worlds, really, both inner and outer varieties of them. Smith’s journey is full of heart and humor, and a different version of Native memoir from what we usually get and I am grateful for the opportunity to travel with her.”
— Chris La Tray, author of Becoming Little Shell
“This book is like a letter from your best friend telling you what really happened during her trip.”
— Ursula Pike, author of An Indian Among Los Indígenas
“Smith beautifully weaves together stories from her life as a Desert Cahuilla woman on the Torres-Martinez Indian Reservation in the Coachella Valley desert, with her travels as an engaged and intrepid traveler who represents her deep, desert-based indigenous roots while also seeking to engage and learn and connect with indigenous people and cultures everywhere she goes. Please read this book. It is a journey you need to travel along with, learn from, and celebrate with, and your life will be all the much richer for it.”
— Ruth Nolan, editor of No Place for a Puritan: The Literature of California’s Deserts

Terria Smith is a tribal member of the Torres Martinez Desert Cahuilla Indians and a proud original Californian. She is the editor of News from Native California magazine and director of the Berkeley Roundhouse, Heyday’s California Indian publishing program. Smith is also the editor of the 2023 anthology Know We Are Here: Voices of Native California Resistance. She received her undergraduate degree at Cal Poly Humboldt (formerly Humboldt State University) and earned her master’s degree at the UC Berkeley Graduate School of Journalism.
Debuts May 2026 — Birds of Santa Cruz
FOR IMMEDIATE RELEASE
A Painterly Guide to Santa Cruz’s Winged Neighbors
From Santa Cruz-born artist and activist Sophie Wood Brinker comes a gorgeously illustrated guide to the birds of Santa Cruz—and a testament to the power of attention.
BERKELEY, CALIF. — For those who know how to look, Santa Cruz is a birder’s paradise. From titanic redwood groves to the jeweled beaches of Monterey Bay, this swath of California’s Central coast is home to a vast array of avian life. Sophie Wood Brinker not only knows how to look, but she knows what that looking means. In Birds of Santa Cruz, out this summer, she takes us on a journey through the county’s feathered friends. Hand-illustrated by Sophie herself, readers will learn about the remarkable language of the Steller’s Jay and the skydances of Red-shouldered Hawks.
A short introduction grounds the book in the importance of noticing and knowing the creatures with whom we share the Earth, and offers up birding and nature journaling as collective practices of love, attention, and resistance. How can we live with birds better? What can we learn from their ways of being in the world? Quoting Dorothy Day, Sophie asks “how to bring about a revolution of the heart, a revolution which has to start with each one of us?”
The answer might begin in the practice of learning the names and voices of our neighbor birds. It might begin with the knowledge that, after wildfire, the nests of Acorn Woodpeckers are used for safe shelter by displaced animals. Birds of Santa Cruz is for the experienced birder and the novice, the activist and the artist, the visitor and the longtime resident. With breathtaking, full-color paintings of the 25 species of birds she describes, Sophie Wood Brinker’s book is that rare guidebook that, like poetry, delights as much as it instructs.
Birds of Santa Cruz is the fifth volume in Heyday’s beloved bird series, which also includes Oliver James’s Birds of Berkeley, Alex Harris’s Birds of Lake Merritt, Keith Hansen’s Birds of Point Reyes and Aaron N.K. Haiman’s Birds of the California Delta. It debuts this May, in the heart of spring migration.
Media Contact:
Bradley Trumpfheller (they/them)
Marketing & Membership Associate
For review copies, feature interest, and interview and image requests, get in touch: publicity@heydaybooks.com

Sophie Wood Brinker (she/her) is a science illustrator who works with paint and pencil to communicate the brilliance and intricacy of the ecosystems that surround us. Her art scales from drawing the texture of butterfly wings to painting fifteen-foot protest banners. Sophie also works in a small town library, helping spread library joy and community resources. As a Quaker, Sophie grew up sitting in intergenerational circles hearing messages spoken out of silence. She has a BA in peace and global studies from Earlham College and is a graduate of the Science Illustration Program at California State University, Monterey Bay. Sophie grew up in Santa Cruz, California, on unceded territory of the Awaswas-speaking Uypi Tribe, and lives in Bolinas, California, on unceded Coast Miwok territory.
In Memoriam, Heyday Remembers Malcolm Margolin
In Memoriam, Heyday Remembers Malcolm Margolin

BERKELEY, CALIF. — On August 20, 2025, our founder and dear friend Malcolm Margolin passed away surrounded by his family. He was eighty-four years old. His death leaves all of us at Heyday, the inheritors of his dream, saddened beyond measure and redoubled in our commitment to the work he began here more than fifty years ago.
Our independent nonprofit press began in 1974, a brainchild of Malcolm’s fertile imagination. It all started when he wrote, designed, and typeset his first book, The East Bay Out—an “unauthorized guide” to recreation in the East Bay Regional Parks, where he had found work after moving cross country from New York in a VW van with his wife Rina. Four years later he published The Ohlone Way, a standard-bearer text in Native California history, followed in 1981 by The Way We Lived, an anthology of stories, traditions, and songs of Indigenous Californians in their own voices.
“I never thought I’d be a publisher,” Malcolm confessed in his 2014 biography, The Heyday of Malcolm Margolin, “But then I published another book and another book. Before you know it, hundreds of books and forty years have passed.”
In the course of his unexpected career at the helm of a publishing house, Malcolm served as midwife to countless writers, dreamers, and activists. He typeset books for Alice Walker and Eldridge Cleaver. He co-founded two magazines, News from Native California in 1987 and Bay Nature in 2001. His passions as a publisher were capacious—Paul Yamazaki of City Lights Books described him as “one of the great polymaths.” Malcolm’s wide-ranging intellect, curiosities, and impish iconoclasm fueled his vision for a new kind of press, one that swam against the dominant culture, one that was rooted in place and cultivated by deep friendship, particularly among Indigenous communities across the state.
“What this place, what Heyday has allowed me to do is to create a real community, to be really useful, to create a home for certain people and certain ideas,” said Malcolm, “That’s the role of a publisher, furthering others.”
In recognition of his incalculable contributions to the cultural life of California, Malcolm was honored with a Lifetime Achievement Award from Heyday on the occasion of its 50th anniversary in 2024.
“It is with profound grief that we mark the end of this extraordinary man, but we are summoned to continue the legacy he has left us,” said Malcolm’s successor, Steve Wasserman, publisher of Heyday, “a profound commitment to celebrating the beauty and joy to be found in this broken world, a deep and abiding respect for California’s Indigenous traditions that he did so much to learn from and explore, a passionate engagement with the issues of social justice he sought to bring to light and, where possible, to heal and repair. Above all, we will miss his unrivaled talent as a storyteller and a dreamweaver.”

"I'm proud of how Heyday has grown since I founded it in 1974, proud of our work as publishers, as community builders, as conveyers of truth, advocates for justice, and creators of beauty. I'm proud of the walls we've torn down, the bridges we've built, the trails we've blazed. We have created a significant legacy."
—MALCOLM MARGOLIN, founder of Heyday
Remembrances of Malcolm
“It takes a Malcolm Margolin to hear and see and pursue the persons—writers, artists, eccentrics, rebels, and innovators—whose lives and stories will become the beginning tale of a place. Like a silvery ghost, Malcolm has smiled and chuckled his way through zone after zone and brought a kind of community to pass.” —GARY SNYDER
“Malcolm Margolin is the glue that holds the sweetest parts of California together.” —REBECCA SOLNIT
“The Heyday list as a whole helps us map an imaginative worldview of California. Malcolm has left a distinctive mark.” —KEVIN STARR
“Across the region now known as California, so many of our Tribal Peoples mourn the loss not only of a dear friend but a true advocate.” —TERRIA SMITH (Torres Martinez Desert Cahuilla), editor of News from Native California and director of the Berkeley Roundhouse
“For every piece of insight or knowledge he has gleaned from our cultures, Malcolm gives back in savvy, tangible, imaginative support that empowers our cultures and our lives. It was a lucky day for us when this Boston Jew wandered into our homelands and hung out so deeply he’s never left.”—DEBORAH MIRANDA (Ohlone-Costanoan Esselen Nation), author of Bad Indians
“People were drawn to his abundance mindset. For him, the books were never ends in themselves. They were platforms and occasions, a way to engage and understand the world. Even after he retired from Heyday, he saw potential books everywhere.” —GAYLE WATTAWA, general manager and editorial director of Heyday
“If he had twice this lifetime, I am sure his imagination would still have been too large for it.” —MARTHINE SATRIS, associate publisher of Heyday

Malcolm Margolin, eccentric publisher and founder of Heyday in Berkeley, dies at 84
by Sam Whiting, San Francisco Chronicle

"A mighty redwood of a man has fallen"; remembering Malcolm Margolin
by Joanne Furio, Berkeleyside

Malcolm Margolin, Founder and Publisher of Heyday, dies at 84
by Sam Spratford, Publishers Weekly



































