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Under the Fifth Sun: Latino Literature from California

Literature



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Under the Fifth Sun: Latino Literature from California

Edited by Rick Heide, Foreword by Juan Velasco

Trade paper, 576 pages, (6 x 9)
ISBN: 1-890771-59-7, $19.95

A California Legacy book

Here is a fresh, vigorous body of work, ranging from Jaime de Angulo’s visions of Spaniards and Indians to the classic Chicano novels of José Antonio Villarreal and Raymond Barrio, and from the nineteenth-century childhood memories of Ygnacio Villegas to the contemporary poetry of Michele Serros.

Under the Fifth Sun collects stories of love, family, work, exploration, politics, history, culture, and survival—fiction, poetry, memoirs, commentary, and drama—covering more than two centuries of Latino presence in California, from missionaries and soldiers to gold miners, farmworkers, and political refugees. Most of these well-crafted and vivid works remain outside the mainstream of popular literature—yet anyone who reads them will gain a better understanding of our collective history and present-day culture.

A celebration, an outcry, a revelation, and a powerful reading experience, this anthology ranges from naturalism to magical realism, from lyric poetry to detective fiction, with works by Francisco X. Alarcón, Isabel Allende, Lorna Dee Cervantes, César Chávez, Francisco Jiménez, Graciela Limón, Juan Marichal, Pablo Neruda, Gary Soto, Luis Valdez, Alma Luz Villanueva, and many others.

Reviews:

"A plentiful harvest…Under the Fifth Sun is not only a Who’s Who but a What’s What, When, and Why. I salute Rick Heide for handing us a mirror on which to appreciate California’s gorgeous brownness."
—Ilan Stavans

"A thoughtfully conceived, thoroughly inclusive anthology that captures the Latino essence of California. Straddling borders, high academia, and a bilingual bohemia that is central to any understanding of postwar America, this is a collection that anyone infatuated with the West should read."—Ed Morales, author of Living in Spanglish: The Search for Latino Identity in America


Table of Contents:

Juan Velasco, Foreword: My Road to the Fifth Sun
Acknowledgments
Introduction

ARRIVING

    Jaime de Angulo, Five Thousand Years
    Nina Serrano, Antepasados/Ancestors
    Ygnacio Villegas, from Boyhood Days
    Vicente Pérez Rosales, from Diario de un viaje a California
    Ramón Gil Navarro, from Los Chilenos en California
    anonymous, Life, Trial, and Death of Aurelio Pompa
    Luis Alberto Urrea, from Across the Wire
    Isabel Allende, from Paula
    Juan Felipe Herrera, Exiles
    Graciela Limón, from In Search of Bernabé
    Rubén Martínez, from Crossing Over
    Beverly Silva, Wetbacks

BETWEEN CULTURES

    Gloria Anzaldúa, Cuyamaca
    Jaime de Angulo, from The Lariat
    alurista, we’ve played cowboys
    Leonard Adame, My Grandmother Would Rock Quietly and Hum
    Luis “Louie the Foot” González, Doña Toña of Nineteenth Street
    Octavio Paz, from The Labyrinth of Solitude
    Barbara Brinson Curiel, Recipe: Chorizo con Huevo Made in the Microwave
    Rubén Medina, Busing
    Ron Arias, from The Road to Tamazunchale
    Richard Rodriguez, from Days of Obligation
    Elías Miguel Muñoz, Returning
    Guillermo Gómez-Peña, from The Multicultural Paradigm
    Lucha Corpi, Underground Mariachi

POP CULTURE

    Garcí Rodríguez Ordóñez de Montalvo, from Las sergas de Esplandián
    Daniel Venegas, from The Adventures of Don Chipote or When Parrots Breast-Feed
    anonymous, from Radios and Chicanos
    Mary Helen Ponce, from Hoyt Street
    Arturo Islas, from La Mollie and the King of Tears
    Elías Miguel Muñoz, The Coupe de Ville
    Victor Hernández Cruz, The Low Riders
    Alejandro Murguía, from Lucky Alley
    Elías Miguel Muñoz, Little Sister Born in This Land
    Gary D. Keller, from Mocha in Disneyland
    Carlos Morton, from Rancho Hollywood: “A California Dream”
    Juan Velasco, The Spirit of Sitting Bull No Longer Protects Us
    Carlos Fuentes, from The Crystal Frontier

IDENTITY

    Francisco Jiménez, from The Circuit
    José Antonio Villarreal, from Pocho
    Robert Vasquez, At the Rainbow
    Joan Baez, from And a Voice to Sing With
    Cherríe L. Moraga, from A Long Line of Vendidas
    Roberto Tinoco Durán, Tattoos
    Michele Serros, La Letty
    Francisco X. Alarcón, I Used to Be Much Much Darker
    Aurora Levins Morales, Puertoricanness
    Luis Omar Salinas, Aztec Angel
    Rubén Medina, Classifieds

WORKING

    Arnold R. Rojas, from The Vaquero
    Alejandro Morales, from The Brick People
    Nellie Quinn, as told to Anthony Quinn, from The Original Sin
    Fernando Alegría, from My Horse Gonzalez
    Juan Marichal, from A Pitcher’s Story
    Gary Soto, A Red Palm
    Raymond Barrio, from The Plum Plum Pickers
    Victor Villaseñor, from Macho!
    Diana García, Cotton Rows, Cotton Blankets
    John Olivares Espinoza, Aching Knees in Palm Springs
    Dagoberto Gilb, from Where the Sun Don’t Shine
    Lorna Dee Cervantes, Cannery Town in August
    Rigoberto González, Rosario’s Graveyard Shift at JFK Memorial Hospital
    Michele Serros, Manos Morenas
    Carol Zapata-Whelan, Tierra y libertad

POLITICS

    César Chávez, from The Organizer’s Tale
    Roberto Vargas, Homenaje a la tercera marcha de Delano; manifestación contra la uva gorda y blanca, Domingo 8 de Septiembre, 1968, San Francisco, Califas
    Oscar Zeta Acosta, from The Revolt of the Cockroach People
    Luis J. Rodríguez, The Twenty-Ninth
    Roberto Tinoco Durán, Rachel
    Bernice Zamora, Notes from a Chicana “COED”
    Margarita Luna Robles, It’s About Class, Ese
    Francisco X. Alarcón, Letter to America
    Michael Nava, from The Hidden Law
    Gloria Velásquez, Days Gone by in Orange County
    Leroy V. Quintana, 187
    Alfred Arteaga, Tomorrow Today
    Lorna Dee Cervantes, Poem for the Young White Man Who Asked Me How I, an Intelligent, Well-Read Person, Could Believe in the War between Races

VIOLENCE

    Pablo Neruda, from Splendor and Death of Joaquín Murieta
    Isabel Allende, from Daughter of Fortune
    Luis Valdez, from Zoot Suit
    José Montoya, El Louie
    Alfredo Véa, from Gods Go Begging
    Juan Felipe Herrera, from Days of Invasion
    Francisco Aragón, Her Hair
    Naomi Quiñonez, No Shelter
    Rubén Martínez, from East Side Stories
    Richard Garcia, Open Letter to My Friends
    Margarita Cota-Cárdenas, from Puppet
    Francisco X. Alarcón, Guerra Florida

COMMUNITY

    Francisco X. Alarcón, Sonnet XIX
    Maria Melendez, The Seven Entrances to Aztlan (for Mixedbloods)
    Leo Carrillo, from The California I Love
    Ernesto Galarza, from Barrio Boy
    Danny Romero, Watts: 1932
    Danny Romero, Saint Aloysius
    Luis J. Rodríguez, Watts Bleeds
    Yxta Maya Murray, from What It Takes to Get to Vegas
    Héctor Tobar, from The Tattooed Soldier
    Rowena Silver, L.A. Rain
    Brandy Burrows, Glitter
    Leonard Adame, In December’s Air
    Andrés Montoya, the rains have left and ernesto is dead
    Pat Mora, Divisadero Street, San Francisco
    Beverly Silva, East San José
    José Antonio Burciaga, Home by the Sea
    Francisco Aragón, To a New Friend

LOVE & FAMILY

    Francisco X. Alarcón, Sonnet III
    Diana García, If I Trust Myself
    Bernice Zamora, Roberto’s Departure
    Dixie Salazar, Summer Rain
    Ernesto Trejo, Like the Earth
    Floyd Salas, from Buffalo Nickel
    Alma Luz Villanueva, La Llorona/Weeping Woman
    Gil Cuadros, Indulgences
    Gerald Haslam, The Horned Toad
    María Amparo Escandón, from Esperanza’s Box of Saints
    Lorna Dee Cervantes, Beneath the Shadow of the Freeway
    John Rechy, from The Miraculous Day of Amalia Gómez
    Helena María Viramontes, from Under the Feet of Jesus
    Leroy V. Quintana, Father
    Luis Omar Salinas, My Father Is a Simple Man
    Gary Soto, The Fights


Author Biographies:

Rick Heide has a degree in Latin American studies from the University of California, Berkeley, and he attended the Institute of Latin American Studies in London. He has been a member of the San Francisco Bay Area publishing community since 1968, working twenty years as a typesetter, for clients including the North American Congress on Latin America, Nicaraguan Perspectives, and numerous small presses, magazines, and journals with a multicultural focus. He is currently a freelance typesetter, editor, and co-publisher.

Juan Velasco received a Ph.D. from the Universidad Complutense de Madrid, Spain, and a second Ph.D. from the University of California, Los Angeles. He is currently a professor in the English department at Santa Clara University, where his research and teaching fields include Latino literature, border studies, film, autobiography, and creative writing. He has written many scholarly articles on ethnicity, race, and nationalism in Mexican American texts, and he published his first novel, Enamorado, in Spain in 2000.


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